James Riordan Biography, Age, Height, Wife, Net Worth, Family

Age, Biography and Wiki

James Riordan was born on 15 February, 1969. Discover James Riordan's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 55 years old?

We recommend you to check the complete list of Famous People born on 15 February. He is a member of famous with the age 55 years old group.

James Riordan Height, Weight & Measurements

At 55 years old, James Riordan height not available right now. We will update James Riordan's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

James Riordan Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is James Riordan worth at the age of 55 years old? James Riordan’s income source is mostly from being a successful . He is from . We have estimated James Riordan's net worth , money, salary, income, and assets.

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Timeline

Other Off-Broadway work includes a revival of the rarely performed "Donogoo by Jules Romains at the Mint Theater company. Reviewing the production, John Simon wrote "most of the actors do well, notably James Riordan as Lamendin." Talkin’ Broadway wrote, "Riordan plays our (anti)hero, Lamendin, to comic perfection as the character metamorphoses from a sad sack to a possessed megalomaniac." Time Out said, "The first act is witty, but wordy and meandering, and for much of it, Riordan appears to be biding his time until he can feast on the meatier delights of the second," and Broadway World wrote, "It's to the great credit of the spirited company of actors, projection designers and French playwright Jules Romains himself, that the Mint Theater Company's new production of Donogoo always feels like something wildly funny is just about to happen. Riordan has his amusing moments as the befuddled everyman who grows drunk with power but the whole company seems to be aching for a chance to let loose." CurtainUp wrote: “Riordan handles his Lemandin's many permutations without missing a line. He segues smoothly from insecure sadsack to audacious scoundrel.”

Off-Broadway James Riordan portrayed Victorian art critic John Ruskin in The Countess by Gregory Murphy at both the Samuel Beckett and later the Lamb's Theatre Theater. The New York Times called the performance "excellent". Time Out wrote "Riordan and Woodward have a thrilling, tightly wound confidence on stage. These are two heavyweight performances." TheaterMania wrote "James Riordan gives a stunning performance in what may well be the play's most difficult role. Ostensibly playing the villain, Riordan gives his Ruskin dignity and vulnerability. He is, in the end, as much a victim as Effie. As the plot unfolds, you can see the character's arrogance as well as his shame"; and The Star-Ledger said "Riordan is impressive as Ruskin, expansive to the point of tears as the critic describes a work of art that he finds beautiful, yet curiously chill when he encounters genuine emotions." The New York Press wrote of the performance "What impresses itself most on the mind and memory are the two central performances. – I fully appreciated the artistry in Mr. Riordan's performance as the famous art critic, evincing in the play's opening moments a kind of scholarly preening that is neither ridiculous nor unattractive, a lecture-hall combination of magnanimity and authority that keeps us wondering, long afterward, precisely what we're seeing, even if we already know the story. There's a good deal of grace and nuance in his portrait of Ruskin as a man who is moved almost to the point of tears by art, for whom Beauty and the idea of it are two separate things. And there's a chilling accuracy in the way he manages to capture the difference between the way certain men behave with their wives, and the way they talk about them with other men. But more than petulance, what we hear in his voice when he speaks of 'what she was once' and 'what she might be' is romance for the past and the romance of ideal possibility, and we see a man who overvalues both." Clive Barnes of The New York Post wrote "The play is nicely acted, with James Riordan as an appropriately smug and testy Ruskin."

On television, he appeared as Franklin Werner in the HBO series Boardwalk Empire, in a recurring role on the final season of the television series Damages, and in recurring roles on the daytime soap operas As the World Turns and All My Children. He has appeared multiple times on Law & Order, Law & Order: Special Victims Unit and Law & Order: Criminal Intent. James Riordan also played "James Brett" in the 2012 ABC Studios television pilot Dark Horse directed by Roland Emmerich. In 2014, he appeared as "Ian Wright" on the CBS television series The Blacklist.

James Riordan (born February 15, 1969 in Cleveland, Ohio) is a New York City-based Broadway, film and television actor.