Suzy Kellems Dominik Biography, Age, Height, Husband, Net Worth, Family

Age, Biography and Wiki

Suzy Kellems Dominik was born on 5 November, 1961 in American, is an Artist. Discover Suzy Kellems Dominik's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 62 years old?

We recommend you to check the complete list of Famous People born on 5 November. She is a member of famous Artist with the age 62 years old group.

Suzy Kellems Dominik Height, Weight & Measurements

At 62 years old, Suzy Kellems Dominik height not available right now. We will update Suzy Kellems Dominik's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Suzy Kellems Dominik Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Suzy Kellems Dominik worth at the age of 62 years old? Suzy Kellems Dominik’s income source is mostly from being a successful Artist. She is from American. We have estimated Suzy Kellems Dominik's net worth , money, salary, income, and assets.

Suzy Kellems Dominik Social Network

Timeline

Drawing on the endlessly expressive qualities of film, performance, photography, and sculpture, Kellems Dominik explores objectification and the male gaze, human trauma, female sexuality, agency, and her own experience of loss and survival. Driven by a mission to speak to broad and diverse audiences and striving to disrupt the dogmas of the contemporary art market, Kellems Dominik’s work has been exhibited internationally both within and beyond the white-cube space of the traditional art gallery.

Kellems Dominik has exhibited solo presentations at One Brooklyn Bridge Park with Chashama (New York), The Laundry (San Francisco), Ludlow House (New York), Onishi Project (New York), LaCuna Art Studios (Chicago), and at Coup d’Etat (San Francisco). Her sculptural installations have been exhibited internationally in collaboration with the PUBLIC Hotel (Chicago), the Nautilus Hotel (Miami), and the Freehand Hotel (Miami). Kellems Dominik has further presented her work on the international art fair circuit, including with the Armory Show (New York), Scope Art Fair (Miami), the Tokyo International Art Fair (Tokyo), the Affordable Art Fair (New York).

Kellems Dominik’s work is characterized by her diligent research of our culture’s visual traditions, societal taboos, religious legacy, and the body of the individual. She often uses her own body to expose rigidly antiquated social constructs and to examine the role of female sensuality and agency in subversion of patriarchal social and aesthetic conventions.

Described as a work of emotional autobiography, the sculpture’s central feature is a 5’ 3.5” vagina, a number that symbolically represents the artist’s height.  The viewer basks in an effusive pink and blue neon glow as the choreography elicits the warmth of human touch and the vindication of emotional redemption.

Beginning in 2019, the Badassery poems were activated both alone and in collaboration with an independent dance troupe assembled by the artist. Together the performers layered both choreographed and improvisational gestures and movements to the words of the Badassery poems. The artist documents the performances via simultaneous videography including 360-degree GoPro video, aerial drones, and hand-held cameras. The series remains ongoing.

The original Badassery prints have been exhibited at The Laundry, San Francisco in 2019, with the Tokyo International Art Fair in May 2015, and at the Affordable Art Fair New York in 2014.  The new body of Badassery poems have been activated with independent dancers, including with the Fullstop Dance troupe as part of the artist’s solo exhibition.  In spring 2019, a preview of the new performance series was presented for the SF MoMA Spring Fling in association with their Modern Art Council patron group.  

"You Are Dead to Me" is an ongoing project exploring ritualistic grief. The undertaking emerged as an outgrowth of the artist’s personal relationship to the process of mourning. The project is physically located in Jackson Hole, Wyoming and entails the methodical collection and numbering of 7,368 stones collected from the surrounding landscape. Stones of various size and weight were first hand-numbered by the artist in white Japanese ink and then placed strategically in numerical order in the form of an orderly grid. Following this months-long process, the artist constructed a rudimentary assemblage of PVC and V-struts to transport the stones across an active estuary to a small spit in the middle of the river. The artist arranged the stones in the form of a primitive tomb with a ceremonial promenade leading to the pinnacle of the grave.

Exposed to the elements of the seasons and submerged beneath feet of snow, the work withstood for months before resurfacing below the spring run-off. Subjected to the velocity of the river’s undercurrent the grave was inevitably overtaken, destabilized, and reconfigured. The artist remains in the midst of recovering the stones that comprised the original formation.

“This idea of maybe one or two items would be left behind like with our grief; it’s an analogy for my grief, you still wear it, just somewhere different,” Kellems Dominik tells Women’s Wear Daily in 2019.

Like the caryatids, the unique visages and bodies of Kellems Dominik’s soft-sculptures reflect the physical affliction of time, disease, trauma, and pain. The totemic females of INVISIBLE nonetheless reclaim their physicality to stand tall and unabashed, showcasing individual particularities of the aging female body brazenly in the nude.

Tracing Feminism was an all-female panel discussion organized in conjunction with the New York debut of Suzy Kellems Dominik’s "I Can Feel."

Artful Storytelling was an all-female panel discussion that took place during Miami Art Week in complement to the artist’s installation INVISIBLE. Featured panelists explored storytelling across various platforms, including visual art and digital media, and evolving modes of artist representation and the trends, both digital and analog, in the industry.

“Terror is explored through three phases of a young woman’s life: youth, young adulthood, and established womanhood. Despite the young woman’s intelligence, worldliness, and command of her environment, she is unable to protect herself emotionally and/or physically from the insidious nature of the “Bear.” Love, hope, desire, need, and longing are perverted into something dangerous, terrifying, and unexpected."

"INVISIBLE" was exhibited at the Nautilus Hotel, Miami Beach during Art Basel Miami Beach in 2018 and with The Laundry, San Francisco in 2019 for the artist’s solo exhibition An Excavation.

Her first major public art installation was “I Can Feel” exhibited during Art Basel Miami Beach 2017. The work is composed of a neon sculpture and choreographed light performance, and Kellems Dominik’s largest neon work. Standing at 12′ tall, the 27.68 second neon performance illuminates the rising emotion and viscerally glorifies the female orgasm.

"Dangerous Dance" (2016) is a self portrait and time-based performance, a work of emotional autobiography consisting of a silent film structurally built upon a musical eight count. Through silence, the video invites viewers to project their own “internal soundtrack” onto the performance. "Dangerous Dance" comprises a body of work exploring and addressing the fundamental human need to be seen, heard, and valued in celebration of individuality. The short film draws inspiration from the esteemed choreographer Mark Morris, whose unbridled interpretation of what dance can be is embodied by Kellems Dominik and her collaborators.

"Dangerous Dance" was exhibited at Coup D'État San Francisco in 2016 and a limited edition set of film stills with the accompanying video were donated to the Watermill Center Summer Benefit in 2019 as part of their benefit auction held in collaboration with Artsy.

"In Her Dreams" exhibited at Freehand Hotel Miami during the 2015 Art Basel Miami Beach, Coup D'État San Francisco in 2016, and at Éléphant Paname in Paris through "Condizione" curated by Prada architect Robert Baciocchi in 2018.

An early incarnation of Kellems Dominik's signature Badassery series, "Hateful Love" communicates the polarity of love through striking text and soft, delicate imagery. "Hateful Love" exhibited at SCOPE Art Show, during the 2015 Art Basel Miami Beach.

In August of this year, the artist endeavored to return to the artwork site to excavate the stones now distributed across the riverbed. A number have been recovered — many of which remain rooted in their original foundational location — yet many have yet to be rediscovered. The project is ongoing, yet already there emerges an understanding that while time may affect the surface, the truth is that grief remains rooted in the psyche as does the weight of stone.

"INVISIBLE" is a monumental installation featuring five, eleven-foot female soft-sculpture totems rendered in cotton-knit and wool. The sculpture pays symbolic homage to representations of the female body throughout art history — most notably the likes of the Venus of Willendorf and the caryatids atop Greece’s Erechtheion.

"To Hell and Back" was exhibited at Onishi Project New York in 2014.

"Box of Sin" is the first work in a series of micro installations exploring the Seven deadly sins. The project integrates sculpture, multi-media photographic images, the written word, and a layered soundtrack. Produced in collaboration with Coup d'État, San Francisco 2014.

In 2014, Kellems Dominik celebrated her first gallery exhibition with a body of work entitled "Bear Attack", the first in a trio of multi-sensory installations exploring the interpersonal relationships between men and women. The show combined a large-scale photographic triptych, the written word, a multi-layered soundtrack, video, taxidermy, and a cabinet of curiosities.

The exhibition went on to show at Onishi Project and at Ian Schrager's Public Hotel in Chicago in 2014.

"Beatrice – To Hell and Back" is a multimedia, multidisciplinary contemporary re-imagination of Dante Alighieri's Divine Comedy and La Vita Nuova (1295) encapsulating the bitter irony of virtue and vice, rendered from the female perspective.

"The bed serves as a partner – a reservoir for her hopes, dreams, and disappointments. I invite you to touch and investigate the many layers of the bed and to take photos in and amongst the sheets. For the truly adventurous, strip the bed down to the mattress cover, to where all implied promises go to die – in a wet spot."

Suzy Kellems Dominik (b. 1961) is a multi-disciplinary artist and emotional autobiographer known for her fearlessly confrontational work. The deliberately feminist themes she explores are realized through various mediums and serve to dissect the most intimate moments of human relationships.

Prompted by her 50th year of life, Kellems Dominik launched her artistic career with an investigation into conventional definitions of feminism, social justice and individual liberty. Kellems Dominik seeks to encourage the amplification of strong female voices with a focus on self-empowerment, pleasure, and the private-made-public. Her extensive and varied body of work is underscored by a profound empathy for the vulnerability of the human condition and for the principles that underlie our efforts to connect, communicate, and commune.